Crossover Filters The crossover slope ranges from 1st Order (6dB/Octive) to 8th Order (48dB/Octive). The higher
the order the more effective the crossover is at blocking frequencies. There are main types of filters commonly used in crossovers. These are Bessel, Butterworth and Linkwitz-Riley. Different filters affect the audio signal in different ways. Bessel filters are designed to have linear phase response at the crossover frequency. This means they keep the wave shape over the crossover filter. There is also a slight dip in amplitude at the crossover frequency when the high pass output is summed with the low pass output. Butterworth filters have flat frequency responce over the passband. This results in a small peak in amplitude at the crossover frequency when high pass output is summed with the low pass output. Linkwitz-Riley filters are designed to have a smooth amplitude when summing the low pass and high
pass outputs. The gain at the crossover frequency will be 0 dB with a smoothly changing phase response. We would recomend using 4th Order (24dB/ Octive) crossover slopes with Butterworth filters for bass and Linkwitz-Riley filters for mid-range and treble. 

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